
The first point to make is that art and commerce are not easy bedfellows. Artists strain every emotional sinew to ensure that each work is the very best they can achieve, but commerce works quite differently.
So, for artists who will always find this difficult to appreciate, selling your paintings is a business. It is a risky business, and calls for considerable flair in spotting what will sell, how it should be presented, and to which groups of likely purchasers.
No one would be in the fine art business at all without strong nerves, a deep love of paintings, and an understanding bank manager.
Here are the options:
GALLERIES
Gallery owners do their sums. They have a notion of how an artist might sell, and what types of work will do best, but the acid test is always the exhibition, and what can be achieved in private deals afterwards. They go cautiously. Prospects look distinctly brighter with a CV that lists an education at recognized art colleges followed by significant exhibitions and commissions — not only because it backs their own judgment, but because this information is what prospective purchasers will look for in the catalogue.

You may walk into a major gallery without an appointment, clutching some homemade slides of your work, and a battered folder of drawings, but it is most unlikely you'll get beyond the charming girl at the desk. Nor should you. Galleries are professional institutions, and expect a courteous letter of inquiry with a brief record of accomplishment.
LOCAL SHOWS
Representation at a London or New York gallery is the dream of many artists, but one rarely achieved, and perhaps never in one step. Most artists start by exhibiting locally, with colleagues in the local painting club or at the art college's annual show.
And those exhibitions are not simply one step on the long journey to recognition, something for the eventual CV, but serve two vital purposes. In the first place they get your pieces hung with other work, which is essential if you're to see them objectively and learn from the experience. And in the second place, they extend your contacts with fellow artists.INTERNET
The Internet has greatly extended the artist's ability to put his work before the public, and to do so more cheaply. The search engines will show the immense range of work that is now offered, some rather amateurish but other work that has flair and conviction. The leading 'bricks and mortar' galleries in particular show excellent work in a very professional manner.
- selling through an Internet Gallery
- selling through your Own Website
- using Online Auctions
Source: www.oil-painting-techniques.com

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Here's a first comment, on a first post. I'm first.
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